You are here :  Global homePerspective>Spending it>Collecting wine

Sign in to online services

Private Banking Online


Other services


Close window

Collecting wine


This article was originally published by artinfo.com, an online news and information source for the world of art and culture. artinfo.com is published by Louise Blouin Media.


Wine collectors are facing an altered auction landscape this spring. From the venerable London wine market to the new hub of Hong Kong, houses have scrambled to reduce their estimates. The Paris-based Tajan, for instance, sold only 55 percent of the lots offered at its December 2008 sale, so specialists lowered their expectations. For Tajan’s recent March 19 sale, a case of Château Cheval Blanc was expected to fetch €7,000 ($8,000), down from the €8,200 ($10,500) it brought at the house just one year earlier. At the Sotheby’s New York sale on 18 April, a case of Château Margaux 1989 is estimated at $2,250 to $3,000 - quite a change from the estimate of $5,000 to $7,000 it carried at the same venue in September 2008.

The auctioneers that adjusted quickly have already seen results. Chicago’s Hart Davis Hart Wine Co had excellent sell-through rates, with 98 percent of the lots finding buyers, in both its December and January sales. A case of Jacques-Frédéric Mugnier Musingy 1996, a top Burgundy, for instance, was listed at $1,600 to $2,400 in the January sale and wound up bringing $4,182. The modest estimate, Hart says, drew bidders into the fray.

Wine aficionados’ newfound parsimony is also evidenced in a market shift regarding quantity. Before the recession, buyers paid up for unopened original wooden cases, known as owcs, holding 12 bottles. Just such a lot size of a California gem, Dominus Estate 1994, estimated at $850 to $1,400, went for $1,000 at Morrell’s February sale.

Courtesy Hart Davis Hart Wine Co, Chicago/artinfo.com


Lower estimates and fewer bottles aren’t the only paths to great bottles at good prices. The peculiar mechanics of wine auctions also provide plenty of opportunities. Unlike in an art sale, the items up for bid aren’t unique creations; they’re commodities. The same wine - Château Lafite Rothschild 1982, for instance - can be bought at many different venues, with multiple lots of the same vintage available even in the same sale.

That fact allows for clever advance bidding. This is especially true for Bordeaux, which make up the majority of the lots at most sales and are produced in larger quantities than the collectible wines of Burgundy, Champagne, and California.

To maximise value the experts recommend a two-tier Bordeaux strategy: Buy the first growths (châteaus Lafite Rothschild, Mouton Rothschild, Latour, Margaux, and Haut-Brion) from high-quality years, such as 1995, 1996, 2000, and 2005, and well regarded “super seconds” (châteaus Cos d’Estournel, Pichon Longueville-Comtesse de Lalande, Pichon Longueville Baron, Léoville-Las-Cases, Ducru-Beaucaillou, and Palmer) in blockbuster vintages, such as 1982 and 1990, which may be too pricey for first growths.

ARTINFO.com offers breaking news, profiles of top and emerging artists, stories about collectors and collecting, gallery round-ups from around the world, the best of student art, market trends and analysis, and detailed coverage of art fairs.

More articles in Spending it

Looking to find out more about HSBC Private Bank's products and services?

In perspective

* No endorsement or approval of any third parties or their advice, opinions, information, products or services is expressed or implied by any information on this site or by any hyperlinks to or from any third party websites or pages. Your use of this website is subject to the terms and conditions governing it. Please read these terms and conditions before using the website.